Riding with music: Any attempt to sync cadence with beat or vice versa?

120 you say? Here's some from my bands setlist...


Save Tonight
Eagle Eye Cherry - 120 bpm - 3:06

Orange Crush
R.E.M. - 120 bpm


Sick Of You
Cake - 120 bpm - 3:18


Come As You Are
Nirvana - 120 bpm


I Hear You Knocking
Dave Edmunds - 120 bpm - 2:55


Jet Airliner
Steve Miller - 120 bpm - 4:30

And some around 90...

Feeling Alright
Joe Cocker - 90 bpm


Heaven
Los Lonely Boys - 92 bpm


Into the Mystic
Colin James - 86 bpm - 4:25
Jumper
Third Eye Blind - 91 bpm

There's more if you want...
 
Will check those out in the bike! If it has a strong groove that makes you want to move to the music, I'm interested. Otherwise, not for this project.

Meanwhile, any thoughts as a musician on this business of syncing 3 pedal strokes to 2 beats when you pedal 90 rpm to 120 bpm music? Kind of a 3:2 polyrhythm.

Does this ever come up in your music?
 
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Will check those out in the bike! If it has a strong groove that makes you want to move to the music, I'm interested. Otherwise, not for this project.

Meanwhile, any thoughts as a musician on this business of syncing 3 pedal strokes to 2 beats when you pedal 90 rpm to 120 bpm music? Kind of a 3:2 polyrhythm.

Does this ever come up in your music?
As a rhythm guitarist I often use "off" and dynamic timing to accent certain parts of songs. A lead guitarist would do similar and likely more often.
That said I wouldn't see it as a constant in songs.
As a singer I often use lyrics in a poetic way with varying cadence. Alert Status Red by Matthew Good as an example. Again, it's not a constant, but getting away from the robotic strict timing is always a bonus and it keeps the "boring" away.
 
I worked back stage at large concerts every year for a decade. We have a festival that pays for musical instruments for kids and music lessons in schools. Being Nor. Cal. there is a hippy scene and Dead music jams live. Some bands are really good at using tempo as much as melody and harmony. It does pull you in like a good standup can set a pattern and then break it for the punch line. The Dead were based for years between our town and the next one.
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I saw this one in that article. Sammy owned a bike shop in Sausalito. Olompali, is short bike ride south from my town, was not only place of the Summer of Love a year before the Summer of Love, it was sacred to the First Nations people and the site of the only battle for California Vs. Mexico. What is funny is I am working on a bike just like Sammy's today. I would be done but it is due for a new rear wheel.

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Sinatra was a master at using phrasing, timing, to make lyricical lines pop and hit evocative home. He could then hold back, hold back, and attack, attack the beat for dramatic emotional impact. All without any whispering or over dubs.

Side bar: I want Swift to do Baracuda, live. A country singer can pull it off. Not a studio whisperer.

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120 you say? Here's some from my bands setlist...


Save Tonight
Eagle Eye Cherry - 120 bpm - 3:06

Orange Crush
R.E.M. - 120 bpm


Sick Of You
Cake - 120 bpm - 3:18


Come As You Are
Nirvana - 120 bpm


I Hear You Knocking
Dave Edmunds - 120 bpm - 2:55


Jet Airliner
Steve Miller - 120 bpm - 4:30

And some around 90...

Feeling Alright
Joe Cocker - 90 bpm


Heaven
Los Lonely Boys - 92 bpm


Into the Mystic
Colin James - 86 bpm - 4:25
Jumper
Third Eye Blind - 91 bpm

There's more if you want...
Oh yeah, that Feelin' Alright groove should work! Also put I Hear You Knocking and Jet Airliner on the test list for promising grooves.
 
I am thinking Earth Wind & Fire's, Fantasy. How about Superstition and the theme from Rocky, Flying High Now?

Thanks! Put Fantasy and Superstition on the test list. At 88 bpm, should be able to sync pedaling directly to Fantasy. The groove's certainly there.

Superstition also has a strong groove, but it'll be a tougher sync at 100 bpm. I can pedal at 100 rpm, but probably not for the entire song.

Essential criteria for this playlist:
1 Music I personally enjoy.
2. STRONG groove that makes me want to move to the music.
3. Syncable tempo for 90±10 rpm cadence. That usually means near 90, 180, or120 bpm.

A song MUST have all three AND pass the saddle test. Don't mean a thing if it ain't got that swing on the roll!
 
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Also making the cut for the 90 rpm synchronous cycling playlist at 180 bpm:


Perfect for all those times when you glance down at your watch and realize that you should've been home 10 minutes ago.
~~~~~~~~~~~

And here's an unexpected winner from Armenian-American jazz composer and virtuoso pianist Tigran Hamasyan, whose early aspirations to play thrash metal guitar still shine through...


If you're looking to do some furious synchronous pedaling at 90 rpm, Tigran's your man. Just be aware that wanton and furious cycling is illegal in the UK.
;^}

This 180 bpm piece is written in 256/16 time! An interesting dissection of the rhythm:


For all that metric chaos, it's still pretty easy to sync to, thanks to the drummer's parallel 4/4 on the snare and hi-hat.
 
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I dont listen to music by itself anymore, a strange development in my later years, Im suspicious its fuelled by consuming it through video with emotional attachment of visuals and the ease with which it can be accessed

My van sound system hasnt been turned on for 5 years at least.
I have no house music system, no portable music player, nearly all my physical music collection has gone to charity shops.

Bit sad really I suppose
 
Kiss - back in the New York groove.
High gear out of saddle hill climber by the coast with the sea parallax descending to your right

 
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