Just for fun...

Recall that song about Jenny? 86-75-309. I do not have recording equipment. I wish someone such as @Catalyzt would over-dub 86-47...

86-47 "We don't mind" :D

Donny, Donny, who can you turn to?
You give us problems we can hold you to
I know you think you’re stronger than you were before
But you can scratch your number on the jail cell wall

Donny, we got your number
We mean to make you cry
Donny, can't change your number

86-47 We don’t mind
 
86-47 "We don't mind" :D

Donny, Donny, who can you turn to?
You give us problems we can hold you to
I know you think you’re stronger than you were before
But you can scratch your number on the jail cell wall

Donny, we got your number
We mean to make you cry
Donny, can't change your number

86-47 We don’t mind
Brilliant beyond my pay-grade!!! @DaveMatthews you nailed it; so creative. We need to rehearse a group with megaphones with the karaoke backing track! 😂 :p:p:p:D

 
I was at an outdoor café, overlooking boats and water, with an amazing cheese plate, outstanding, with fruit, wheat sourdough with seeds, and cold gazpacho, when I spotted 86-year-old Jenny. She always is friendly and always forgets my name, when this impetus came to mind. And Dave creatively solidified this amorphous initial general concept. Now it will take off. The cat cannot go back in the sack.
 
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The Talking Heads I had already enjoyed on the album, but were staggeringly good live.
Let me tell you all a story how the life looked like behind the Iron Curtain.

The American music was almost totally banned from the Poland's media by 1980s; British music was better seen by the media and censorship. The media outlet where you could listen to the Western music was the Polish Radio III (the only FM broadcasting station in the country). Home taping was the norm.

On April Fools 1978, a PR III radio DJ broadcast a single programme of the era presenting PUNK (Sex Pistols, The Clash, The Stranglers). That broadcast was listened by many young people in Poland, was home taped, and inspired some people.

The PUNK movement exploded in Warsaw in Autumn 1978. The REMONT student club in Warsaw organised a ‘Sound Club’ playing PUNK & New Wave, which led to the formation of the seminal band Kryzys (I was their first fan). 1979 can be the best described by the lyrics of the Generation X song 'One Hundred Punks'. We young punk-rockers were listening to the new music at homes of those who owned the albums and singles, or at parties. More bands were formed, so we could attend their gigs, too.

At the very end of 1970s, a record exchange was opened in Warsaw's Hybrydy student club. I got a Blondie album (Parallel Lines) from my aunt living in England. I traded that LP for another, then the next album for yet another (always paying a trader a sum for the exchange) and so on. The albums were then home taped. It was mostly the British music. Of the American bands, we could listen to (among others) the Ramones, Patti Smith, Television, Devo, Pere Ubu, Blondie, B-52s, The Modern Lovers and yes, Talking Heads.

My high school class had an excursion to a village by name Urle on the picturesque River Liwiec in late Spring of 1978. We lived on mattresses in a village school.

1750470087867.png

I recognize myself in this photo.

A PR III DJ had announced he would broadcast the Talking Heads "77" album on two following Thursdays. A classmate owned a battery powered combo of a turntable, a cassette recorder and a radio. I went in an empty and dark school gym and enjoyed listening to the album's A side while my mate in Warsaw was home taping the broadcast. Magical days... (Later that year I with friends started illegally publishing one of the first Polish fanzines by name SZMATA (The Rag) but that's another story. I, friends and our families were soon oppressed by the system for doing that! Scans and copies of that fanzine still do exist).
 
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ICE wanted to raid Dodge Stadium today and got booted. Brown people have been speaking Spanish in LA since before there was a USA. I love it. Then a young singer sang Roosevelt's Spanish language National Anthem on No Kings Day and everyone cheered. A lot of brown people who speak Spanish play or love baseball. The home teem is showing some backbone. Let them go do raids in places like Indiana and Florida. There wouldn't be a clean hotel room, a clean dish, a clean towel or anything to eat in Orlando. Spanish in California is like French in Quebec.
seriously now,do you think there will ever be a restoration of the "Spanish west" they stole from the natives,we stole from them?( dang Yankees such marauders) wish we could all integrate and have second universal language( on the language=don't think the "Tower of Babel" had much if anything to do with it)
 
Let me tell you all a story how the life looked like behind the Iron Curtain.

The American music was almost totally banned from the Poland's media by 1980s; British music was better seen by the media and censorship. The media outlet where you could listen to the Western music was the Polish Radio III (the only FM broadcasting station in the country). Home taping was the norm.

On April Fools 1978, a PR III radio DJ broadcast a single programme of the era presenting PUNK (Sex Pistols, The Clash, The Stranglers). That broadcast was listened by many young people in Poland, was home taped, and inspired some people.

The PUNK movement exploded in Warsaw in Autumn 1978. The REMONT student club in Warsaw organised a ‘Sound Club’ playing PUNK & New Wave, which led to the formation of the seminal band Kryzys (I was their first fan). 1979 can be the best described by the lyrics of the Generation X song 'One Hundred Punks'. We young punk-rockers were listening to the new music at homes of those who owned the albums and singles, or at parties. More bands were formed, so we could attend their gigs, too.

At the very end of 1970s, a record exchange was opened in Warsaw's Hybrydy student club. I got a Blondie album (Parallel Lines) from my aunt living in England. I traded that LP for another, then the next album for yet another (always paying a trader a sum for the exchange) and so on. The albums were then home taped. It was mostly the British music. Of the American bands, we could listen to (among others) the Ramones, Patti Smith, Television, Devo, Pere Ubu, Blondie, B-52s, The Modern Lovers and yes, Talking Heads.

My high school class had an excursion to a village by name Urle on the picturesque River Liwiec in late Spring of 1978. We lived on mattresses in a village school.

View attachment 195602
I recognize myself in this photo.

A PR III DJ had announced he would broadcast the Talking Heads "77" album on two following Thursdays. A classmate owned a battery powered combo of a turntable, a cassette recorder and a radio. I went in an empty and dark school gym and enjoyed listening to the album's A side while my mate in Warsaw was home taping the broadcast. Magical days... (Later that year I with friends started illegally publishing one of the first Polish fanzines by name SZMATA (The Rag) but that's another story. I, friends and our families were soon oppressed by the system for doing that! Scans and copies of that fanzine still do exist).

This is fascinating-- and goes a long way towards explaining the record-trading phenomenon in Europe that folks in the US know very little about. In 2020, I was stunned when I was approached by a boutique US record label who wanted to master, release, and distribute vinyl copies of songs one of my bands recorded in the late 1970s! I was referred by another musician who'd been referred by someone else. "Yeah, I guess they trade records in Europe, that's the market. It's a cool label, but they won't release in the US at all."

I wondered how there was a market for trading records. This may explain it, at least partly: The records used to be banned, so an infrastructure developed; when the music was no longer banned, however, the infrastructure remained-- clubs, informal networks of small retail outlets, private individuals-- and then little labels cropped up to serve that market.

The whole thing was crazy. I was like, "What? You'll master and press 500 records for free?!" We went ahead with it; fortunately, I had ripped some cassette demos of masters to DAT tape in the late '90s so I had clean digital copies. (We found the 1/4 inch reel to reel masters, but they had degraded a lot by 2020, not usable.) They did an outstanding job on the masters; on vinyl, the songs sound WAY better than the original demo tapes, or even than albums by our friends' bands that were released on vinyl in the late 70s and early 80s! I wish this label had existed in '79, '80, or '81!

Thanks so much-- now THAT is what I'd call an underground music scene! Makes us look like posers here in the states!
 
Let me tell you all a story how the life looked like behind the Iron Curtain.

The American music was almost totally banned from the Poland's media by 1980s; British music was better seen by the media and censorship. The media outlet where you could listen to the Western music was the Polish Radio III (the only FM broadcasting station in the country). Home taping was the norm.

On April Fools 1978, a PR III radio DJ broadcast a single programme of the era presenting PUNK (Sex Pistols, The Clash, The Stranglers). That broadcast was listened by many young people in Poland, was home taped, and inspired some people.

The PUNK movement exploded in Warsaw in Autumn 1978. The REMONT student club in Warsaw organised a ‘Sound Club’ playing PUNK & New Wave, which led to the formation of the seminal band Kryzys (I was their first fan). 1979 can be the best described by the lyrics of the Generation X song 'One Hundred Punks'. We young punk-rockers were listening to the new music at homes of those who owned the albums and singles, or at parties. More bands were formed, so we could attend their gigs, too.

At the very end of 1970s, a record exchange was opened in Warsaw's Hybrydy student club. I got a Blondie album (Parallel Lines) from my aunt living in England. I traded that LP for another, then the next album for yet another (always paying a trader a sum for the exchange) and so on. The albums were then home taped. It was mostly the British music. Of the American bands, we could listen to (among others) the Ramones, Patti Smith, Television, Devo, Pere Ubu, Blondie, B-52s, The Modern Lovers and yes, Talking Heads.

My high school class had an excursion to a village by name Urle on the picturesque River Liwiec in late Spring of 1978. We lived on mattresses in a village school.

View attachment 195602
I recognize myself in this photo.

A PR III DJ had announced he would broadcast the Talking Heads "77" album on two following Thursdays. A classmate owned a battery powered combo of a turntable, a cassette recorder and a radio. I went in an empty and dark school gym and enjoyed listening to the album's A side while my mate in Warsaw was home taping the broadcast. Magical days... (Later that year I with friends started illegally publishing one of the first Polish fanzines by name SZMATA (The Rag) but that's another story. I, friends and our families were soon oppressed by the system for doing that! Scans and copies of that fanzine still do exist).
Look at that cute teenage rebel, still tearing about now 🤣
 
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